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Adelyn Dohme Breeskin : ウィキペディア英語版 | Adelyn Dohme Breeskin Adelyn Breeskin was a curator, museum director, and respected art historian known for her longtime leadership of the Baltimore Museum of Art and Mary Cassatt scholarship. ==Biography==
Adelyn Breeskin was born in 1896 in Baltimore to Alfred Robert Louis Dohme and Emmie Blumner (Dohme).〔Alice Steinbach, "Adelyn D. Breeskin dies on trip to Italy; was head of Baltimore Museum of Art" 25 Jul. 1986''The Sun,''1A〕 In 1918, she received her bachelor's degree from the Boston School of Fine Arts, Crafts, and Decorative Design. Breeskin then served as an assistant in the print department of the Metropolitan Museum of Art with Kathryn B. Child under the curator of prints, William Mills Ivins. In 1920, she married the violinist Elias Breeskin (1895–1869), but the couple divorced in 1930.〔("Breeskin, Adelyn Dohme, née Dohme" ''Dictionnary of Art Historians'' )〕 Breeskin moved to Baltimore to work as a curator in the Baltimore Museum of Art and was promoted to director of the museum in 1942. As the director of the Baltimore Museum of Art, Breeskin established a works on paper collection, supervised an exhibit of John Russell Pope, mounted the show “Abstract Expressionism,” oversaw expansion to the institution, acted as commissioner for the American Contingent of 30th Venice Biennale, and negotiated the donation of Etta and Claribel Cone Cone Collection.〔Avis Berman, "Adelyn Breskin: A Perseverance of Vision" 30 Oct. 1977 ''The Sun,''D1〕 In 1962, Breeskin left the Baltimore Museum of Art to become the head of Washington Gallery of Modern Art. Breeskin currated shows such as “Roots of Abstract Art in America” in 1965, but she resigned two years later. From 1960 to 1974, she served as the curator of contemporary painting and sculpture at the National Collection of Fine Arts later called the National Museum of American Art where she featured artists such as Mary Cassatt, Milton Avery, H. Lyman Sayen, William J. Johnson, and Bob Thompson (painter).〔
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